Cats & Dogs 39: Finis Beginnis

CATS AND DOGS, 1993, Drag City Records

“After coming off the road, Royal Trux rented a house in the Virginia mountains to piece together their next set of songs comparing the regional manifestations of Rock and Roll’s great legacy to that music’s ability to open things up wide. Cryptic personal journal entries, letters from prison, photographs and experiences were cross-checked against all available statistics and public information networks and forged into eleven mighty songs with a band that included a guitarist from Florida and a drummer from Kansas. Now it is time again for some action.”
– Drag City press release, 1993

Cats & Dogs 38: Now hear this

“Her mind will never speak to me again.
I am free. High above the mast the moon
Rides clear of her mind and the waves make a refrain
Of this: that the snake has shed its skin upon
The floor. Go on through the darkness. The waves fly back.” – Wallace Stevens  “Farewell to Florida”

January, unopened letter by her returned. I burned the stamp, her scrawled “Do not…”, and envelope. In Rockville rock help was on the way.

The changes in these songs come later than I expect. They hang back, what’s the hurry after all, you ain’t hearin’ this on the radio…

A sentence of song titles:  Air…Move. Hallucination: Junkie Nurse, Sometimes. Lightning Boxer—Blood Flowers. (Sun on the Run)

Crank: Do you ever sit down and say “I’m writing a song now”?  NH: Yeah, and then I get up and go outside.

Tan legs in cutoffs stand in a river; this is the zone, this is the tone, where desire feels at home.

“Error” is from a word that means “wander.” To stray from the true path. Gravel on it.

The picture has the logical form of representation in common with what it pictures.

“The man whose head expanded—corrupted by Mr. Sociological Memory Man…”

How does an unhappy and confused reality turn into a smooth, happy memory?

The situation must be yes-and-no, not either-or. Avoid a polar situation.

NH: “I would rate my music about as significant as PEZ. That is, very.”

cult  love  distance  intention  subconscious  movement  opacity

Rtx is not for everyone. Ask your doctor if Rtx is right for you.

The bronze Horse of DisSatisfaction sleeps inna Cell in Hell.

“Never trust a band that’s good every night.”

Hallucination…break the laws they make!

Tired of sitting at this writing table.

There’s no bass on this album.

Emails Live Unrehearsed

The Janus face of error.

“Friends” is wordless.

ecstatic truth

Now forget.

Now.

Cats & Dogs 37: Schizophrenia is Takin’ Me Home

Once I stared at a place and didn’t see it. I was somewhere else. The time ticked by, and I saw only its goal. There was no August July June, I was already waiting in September. I missed a whole summer. Perhaps someone else lived it.

I’m at a coffee shop on Yuppie Avenue. Some guy walks by shouting. Obviously schizo. No harm. Cops buttonhole him. Run his ID. He explains. Fuckin’ order. Okay, into the car. Off to another neighborhood, pal. Nuclear war now.

You can find the biggest travesty in rock in the first notes of the first Trux record: clean guitar. What better snub is there than to eschew distortion? Let’s go un-electric cos Bronx cheer.

Cats & Dogs 36: PCH

After they did it in the parked car, he tossed the condom out the passenger window. It landed on a large rock, and it is said by the inhabitants of that land that a bush grew from it, whose leaves are blue on top and silver on the underside, and which become invisible in morning and evening twilights, so that even in mid-summer, in the humid air, stands a plant that appears denuded as a winter tree.

PoMo Showbiz: appearing so uncool you’re cool. The Stones look merely lax besides the Turx, who look homeless!. But their (his) intelligence breeds suspicion. Do you believe me, Jennifer, that I don’t think you’re dumb? That’s your part in the pair, your yang, primal. Listen to you on “Womban,” on “Mercury”!! for fukks sake. Confident, and primitive.

Harmolodics is a system he [Ornette] describes: “Music is not a style. Music is ideas. In any normal style, you have to play certain notes in certain places. You play in that style only and try to make people believe that style is more important than other styles. Which removes you from the idea. With harmolodics you go directly to the idea.”

A paradox: the feeling I get listening to “Cats & Dogs” is now as in youth, of unfiltered vulnerability, nothing critical standing between unbridled like and unreserved dislike; but it is the vulnerability and confusion that this music helps rescue me from. The unconsidered life.

“I love people, I love people’s frailty and vulnerability. There was something kind of pathetic about all these alternative bands, a certain energy that they put into it knowing that it will never come back. I just wanted to capture that contradiction.” [NH quoted on Scaruffi.com, 1999]

Cats & Dogs 35: Creative Accounting Disclosure

Totally true story and little known fact about the author: In 1990 (h.s. senior) he applied and failed to get into four art schools. So he says fuck college end quote. I moved to NYC to play bass. Knew no-one. Room had no window. Put “chef” on my resume, to sound important, and applied to bookstores and Toys-R-Us. Moved home two months later. Worked in a factory. Worked in a bank operations center. So when calculating time, I tend to subtract this year, June ’90 to June ’91. It’s now 2012, but actually it’s 2011. Time is mine, it’s on my side, but it’s not a thing anyway, it’s silly putty.

Cats & Dogs 34: Driving In That Car (with the Eagle on the Hood)

“The journey enters the Zone. By now, surely my images are already affected by the moss of time, freed of the lie that had prolonged those moments, swallowed by the spiral.” *

“Time Time Time Time Time Time Time…Why can’t you relax? Their one life spent cowering, and another under the axe. Time Time Time Time Time Time Time…Why can’t you relax? Their one life spent cowering, and another under the axe. Driving in that car, blazing eagle on your hood, I feel like dancin’ til I feel good. So give me yr claws and shake off yr skirt, crank up that pump and take off your shirt. Driving in that car, blazing eagle on the hood, I feel like dancin’ til I feel good, so give me yr gloves and take off yr skirt, crank up your heart and shake off your shirt. (And i know you like to dance better than to make up philosophy) Yeeeeaaaahh! Yeeeaahhhhhh!!” **

Nothing to lose. The more you can let go of, the more you can do without. But the car, the guitar. The blues. It’s no coincidence the blues came from a place that can be wiped off the map once a year. The truly crappy guitar of Big Joe Williams and his nine-string guitar—but here he is, working magic with it. Potlatch: she who give the most up. Status is gained by holding what you have as naught. You can thereby win a pot in poker. We shouldn’t mistake the nonchalance [literally “unheated”] of the band for an approach to be mimicked. Their stepping-back and away serves to put distance between their bodies and ours, and to close the distance between minds, to open the road between mental landscapes and populations, in which deeper things happen and are found.

September, waiting for the simulacrum of Love to knock and walk in, Joy Division’s “The Eternal”, with its cicada sounds—were there cicadas that year?—it’s hot the record is heavy as the heat, fills up the place like the black hit of space. Here’s another one of those rooms, a third floor dorm, down the hall from the chamber of retained virginity. Now it (the Eternal Suite, where the sad record repeats) has police tape across the door—TRUX LINE DO NOT CROSS.

“Everything is very slow. That’s what I like about living in Virginia, it’s just like, there’s no time there. We’re trying to get our driveway fixed because the hurricane came and swept it away. And now it’s like this pit, rutted, just screwing up our car. So we try to get this guy to come fix it, it’s like, “Yeah, I’ll be there.” But a month goes by and he’s like, “Oh, I’ll be out there, don’t worry.” And he just wanders away.” ***

NH: “Driving in that car with the eagle on the hood” was something Jennifer used to chant onstage when she forgot the words,” says Neil. “Finally we turned it into a song.”  ****

“At the end of memory’s path…as if the air were the first thing to emerge purified from the countless ceremonies by which the Japanese wash off one year to enter the next one. A full month is just enough to fulfill all the duties that courtesy owes to time…the Uzu bird., which according to one tradition eats all the lies of the old year, and according to another, turns them all into truth…” *

* Chris Marker, “Sans Soleil”
** Royal Trux “Driving in that Car with the Eagle on the Hood”, used without permission
*** [Neil Hagerty quoted in Index mag, 1997]
**** [Neil Hagerty quoted in Melody Maker, 6-19-93]

Imperial Services

We are not idiots. That’s the least we can say without argument. We need say no more anyway, to justify the creation of our enterprise. Intelligence, however, will carry us only a short distance to that shining city of personal success we glimpse occasionally from the muddy confines of the self.

We were probably caulking, or rolling a wall, when the three or four year old idea was dredged up. Imperial Services North America. Had I come up with it while temping at IBM? We were on another jag, riffing on some idea born of a complaint or observation. And I wondered where all these ideas go, swimming into the mind from a bodiless grotto, then out of my mouth. Why waste them?

Imperial Services was conceived of, then became the umbrella for a number of smaller businesses that offered extremely limited services, either because of personal need, or to explain some otherwise opaque phenomenon: a division that destroyed documents and personal items, of course, and a messaging service that dispatched yoga-butted women to addresses only on College Ave. to deliver coffee, clothing, books, and organic produce, the latter of which explained the frequent sightings of just such women carrying just such things on just such a street.

The mythic approach and jokiness ballasted a buoyant plan that, three years later, emerged as a ticket out of house painting. The Protestant work ethic was ridiculous. All sorts of people around the world were making money doing nothing but coming up with ideas. Putting in an honest day’s labor, day after day, squandering energy and ideas, had to stop. Especially given the fact that we are not only not idiots, but smart, and brimming with answers. Or rather with questions.

The breakthrough came from realizing that there is an idea and a story behind any particular thing a person wants. Every purchase of goods and services acquires a psychological value equal or greater to the physical value. This was obvious, even on the level of house painting: Steven saw it when he helped clients choose wall colors. The client, in choosing a wall color, is also satisfying psychological needs, which explains why it’s such an agonizing process. What is choosing a color worth per hour? The sky might be the limit, if the right color provides the client with the reassurance of comfort, of stylishness and nowness, and of domestic harmony.

So we’ve decided we will be general consultants, and our company will be Imperial Services. We will supply ideas and fulfill needs, the more intangible the better. The company will model itself on our clients: we make business cards with an old-fashioned logo, a classy border, and use the typeface of American money; we make a web site with a picture of a shiny glass building in some south San Francisco city and a mission statement; we meet clients in the bar at the Palace Hotel, wearing clean slacks and designer running shoes, a black or grey turtleneck. We dress not like billionaires, but millionaires. And it’s there that the known quantities of the enterprise cease.

Steven suggests we learn contemporary business speak. We should read Dale Carnegie and his modern equivalent with the seven habits of highly effective people. I’m on track to finish the series of Tony Robbins’ “Personal Power” cassettes in 29 days. We shall read them all, these practical spiritualists, but they all say basically the same thing. Confidence with a dash of bourbon will be our drug of choice and the whiff of it emerging from our old-fashioned calfskin briefcases will be intoxication, yet reassuring.

Imperial Services, even in its grossest failures borne of the most startling naïveté, cannot fail. The mere act of breaking ourselves, Steven and Erik and I to start with, out of the mental mold of job applicant, the mere attempt to do even this is a triumph. With employers, with friends and strangers alike, with dates, gallery owners, etc., the act of supplicating ourselves, and asking what we can do for them, will cease.

Instead we will charge clients in increments of $100 to advise them in any capacity they need, provided we are willing to do so. We are no longer sluts, after all. Art, literature, management, travel, love, psychology, cooking, self-defense, color, music, the sky is the limit. The less tangible the better. We will do whatever the hell we want and we will assist our clients in same.

Imperial Services: Envision the Life You Want.

(11.22.07 / 02.12.12)